Moodymann – Jan Edits & Remixes – Moogly1

 

Last month I made the decision to sell my beloved CDJs and to make the leap to vinyl. Perhaps premature, as being a student it is difficult to maintain such a consuming hobby, in terms of money; but I made the leap, and do not regret it one bit. Why, because now I can spend time looking for records, knowing that my money has to be invested well, I invest my time well. This record epitomizes my newfound ethos.

Straight from Kenny Dixon Jnr’s archives, the record under the renowned alias Moodymann is an ‘ultra’ rare collection of Jan remixes and edits. The first track “Into My Room”, a soulful jazz infused house number, is simply classic Moodymann. Following jazz infused percussive phrases; the track centers on soulful female vocals ‘I just want to get you in my room’. The rest of the EP toes a similar line, straight up grooves, infused with soul, jazz and trademark gospel vocals. Amp Fiddler shines on the B-side’s, “Into Your Eyes” and “Superficiality”, both following the soulful ethos embedded before.

These four amazing tracks provide quintessential listening for fans of Moodymann and are a must have for any house collector; id recommend copping this before it sells out and pops up on Discogs at $99.99.

 

 

Image courtesy of Potholes In My Blog

One of the finest albums to drop this year came out of Seattle, alternative hip-hop duo Shabazz Palaces crafted a unique and experimental take on hip-hop with their LP, Black Up – and where others failed they succeeded in a major way. Balancing being adventurous and progressive with making a hit record has been a serious pitfall for alternative hip-hop acts in the past few years, but Black Up managed to sound different to every other tape out there without sounding forced or contrived in any way. If you haven’t managed to catch my drift yet, it’s pretty obvious that this has the PSA stamp of approval.

Anywho, to cut a long story short – the duo have teamed up with director Kahlil Joseph to bring this short film to the interwebs. With snippets from the album accompanying the visuals – I think this might be worth 5 odd minutes of your time.

Iran: Impending doom

 Mehdi Hasan wrote a controversial article in last Fridays Guardian, titled “If you lived in Iran, wouldn’t you want a nuclear bomb?” illustrating their ambitions are only ‘rational’ given the encircling by Western allies. The piece ignited a ‘twitterspat’, a war of words, provoking wild responses from Labour MP’s, wives of Ministers and University professors. Being of Iranian descent, I thought it only right to highlight some of the issues highlighted and put forward my own views on this very controversial subject matter.

Iran, formally known as Persia, has a long history of violence and drama: invasions, conquerors, great leaders, warlords and revolutions. During the reign of Cyrus the Great the empire spread three continents, covering 8 million km. However, its geographical location alongside important trade routes, and imperative to modern history its oil reserves, has hindered as much as it helped her, making Iran a victim of foreign aggression. Today Iran demands our attention in the West as an aggressor; as an enemy; and as one of the biggest threats to our Western world.

The time of Cyrus encompassed a tolerant and embracing approach to life that is still revered throughout in Iranian culture today, just go to an Iranian’s house at feeding time. This ethos in part spawns from a connection with the Zoroastrian faith, which holds a sacred responsibility of every human to work towards the establishment of social justice on earth. A bisexual motherfucker Alexander the Great conquered the Persian empire in a rampage of destruction, burning the epicentre Persepolis and threatening the Zoroastrian ethos.

By the time of the Arab conquest their ethos had all but disappeared, with much falling into ‘a realm of darkness’, tainted by corruption and greed. The Persians adopted Islam, but over a period of centuries fashioned their own version of Islam known as Shiite.

Today Iran is a threat to the modern world, an oppressive Islamic regime with nuclear ambitions. To understand the issue you must look into the past; not at the Arabs; not at the Macedonians; and not at the Ancient Greeks, but at the governments that are today condemning Iran.

In 1953, a CIA and British organised coup helped overthrow the Iranian government, reinstating the oppressive Shah and reclaiming oil resources from the nationalist government led by Mohammad Mossadegh. The move, under the banner of communism, was instrumental in the 1979 revolution destroying the secular parliamentary system, creating huge anti-western sentiments and facilitating a rise in conservative Islam. Iranian history is domineered by three recurring themes: Leadership, foreign invaders and a synthesis between Islam and pre-Islamic times. The coup was instrumental in facilitating a rise in conservative Islamic leadership, culminating under an umbrella of anti-Western sentiments and masqueraded by a false hope of freedom from an oppressive Shah. The results of the 1979 revolution were much different to the ambitions of the Iranian people, whom thanks to the training given to their secret service the SAVAK were able to continue an inherent system of oppression, this time under Islam.

The issue of Iranian nuclear ambitions is controversial, and I am not supporting the regime, nor am I supporting their aspirations for building a nuclear warhead. What I am trying to highlight is their reasoning why. Try for a second to imagine your nation was stripped of its government and all political sway was directed towards an unelected leader, and the reason: business interests, economic gains for a country, a business, thousands of miles away. Your resources are being depleted and your freedom is restricted, you live in poverty while foreign businessmen get rich of your land. Now I know for a fact man would be pissed.

I am not saying that the issue is a simple as historical resentment, the issue is much deeper and has strategic importance to power in the region. However, what I am trying to highlight is their reasoning why. As David Wearing so aptly summarises, “If you don’t want Iran to go nuclear, don’t create the conditions under which that’s bound to happen”. To understand the issue of Iranian nuclear ambitions we must look at the situation rationally, and try to understand the historical and strategic reasons why. Ignoring domestic and humanitarian arguments and by no means supporting the regime, one can see clearly why Islamic leaders want to protect their land, their resources, and their people. PREACH.

 

Common has decided to recite a verse from one of the best songs, off of one of the greatest albums of all-time. This homage to Nas’s Life’s a Bitch demonstrates how, almost twenty years on, this classic verse manages to sound oh so dope…listen good

R & S Records Present @ the Warehouse Project, Manchester

I remember the first time I encountered R & S, well at least heard of them; it was on an eight-hour coach journey to Bloc festival, held at a Butlins resort in Minehead, somewhere down the English west coast. I had sprung up a conversation about music and the festival with an old time rave head; the festival being predominantly based around an underground dance scene seemed to attract a mature crowd. As the old school cat and I exchanged opinion on music, who we were looking forward to seeing and so forth, the name Space Dimension Controller popped up. Being an avid follower of Resident Advisor I had been following developments on their site, one of which was the announcement of their stage which included this mystic controller. This old school ravepot was adamant on this mystical character, of which I had conjured up a Star Wars-esque image in my head. He continued to babble on about releases on R & S, and as the conversation was centering on the techno scene, I was intrigued. However, fair to say much after that was a blur and R & S disappeared from my mind, along with this Jedi figure I had created.

 

6 months later and Space Dimension is again at the forefront of musical conversation, this time with me droning on about his latest release, coincidentally on R &S – The Pathway to Tiraquon6. So it is far to say when I saw his name on the published Warehouse Project line-ups, beside the likes of Mount Kimbie, James Blake, Lone, Blawan and Andrew Weatherall, I was down.

Warehouse Project is situated parallel to a tramline, underneath Piccadilly train station, and out of season is a grotty car park. When describing to people what it is like I respond simply “The closest I have been to Berlin in the UK”, and that is an apt description. It is grotty, raw and underground, even if it has strayed slightly from its conception with much more commercial names than previous years. However, it is still a special venue unlike many in the UK.

Coincide a great venue with great music and you have your self a sexy little cocktail. This night lived up to that. Starting with Vondelpark before 11, the night was curated with live acts taking to the stage before one. Mount Kimbie followed and took over half an hour to assemble a huge array of synths and effects.  Starting with ‘Carbonated’, they went on to set a great tone for the evening, culminating with a ‘duet’ of such with James Blake, whom followed after. Having heard much about Blake’s live act I was sceptical, not being a huge fan of his sorrow-some sound; however, he delivered and to be completely honest was one of the standout performances. After Blake it seemed the venue emptied, this I anticipated, as is much the case with WHP, especially when acts that are more commercial play. However, the night didn’t end here with the second room delivering the likes of Blawan, Lone and Untold.

Space Dimension took to the stage in the main room, playing his brand of techno to the relative crowd left. I would love to go into detail about the music, the vibes or whatever, but to be honest I cant remember shit. What I do remember is what followed, Andrew Weatherall. By this time, as I mentioned, Its fair to say I was fucked; but what I do remember was this guys beard, imagine Blackbeard and Marx coinciding.

Hopefully we will have some videos uploaded so you can see the antics from the night, or at least ‘highlights’ of such. Props therefore to Mirza ‘The Butcher’ Koluder, for his camera work!

Nicolas Jaar Darkside EP

 Here are some clips of Jaar’s latest project, already featured on the blog, with guitarist Dave Harrington. The duo will be performing exclusives from their new project in Brooklyn at the Music Hall of Williamsburg on the 1st of Dec. Anyways, here’s the clips. Enjoy.

 

 

After attending OUT OF STEP’s sample sale back in July, we couldn’t wait for another one to come around. This time, however, SAMPLED are putting on a cultural tour de force; by combining fashion, music, and art; this ‘sample sale’ is going to be pretty chilled day out. Brands like ALIFE, STUSSY, GENERIC SURPLUS and many more will feature at ridiculously discounted prices. Music wise, there will be new and old rare vinyl up for grabs in nearly all genres. If that wasn’t enough, after the sale is over there is the chance to attend a one-off night with guest DJs Andy Smith (Portishead), Spin Doctor, and many more. Don’t say that we don’t keep you informed with all things über fucking cool….

The event will take place on the weekend of the 3rd of December @ Bar Music Hall, 134 Curtain Road, London EC2A 3AR

Entry costs £2 or a fiver with entry to the club included.

Iconic hip-hop duo Black Star (Mos Def Yasiin Bey and Talib Kweli) drop the first track from their upcoming album, which is set to be only their second in 12 years. Rapping over a smooth beat from your favourite producer’s favourite producer Madlib, this song serves as a throwback to classic ’98 Brooklyn hip-hop – and if we can get a Common feature and a few Hi-Tek beats then we’re due for something special all over again ladies and gents.

If this is your first exposure to rap’s version of Simon & Garfunkel then do yourself a favour and cop their first album: Mos Def and Talib Kweli are Black Star. In the meantime, check out the track below -

Renegade graffiti artist Banksy has created this stencil work just in time for the run up to Christmas. Titled ‘Shop til you drop’, the work is a comment on our detestable reliance on consumer culture. Have a look, and see what you think:

As always MISHKA provide us with, what can only be described as, an interesting Fall/Winter collection. The Brooklyn based label reaffirms its position as the ‘odd-ball’ players in streetwear with this eclectic mix of conventional styles and eccentric designs.

Whilst the snap-back look has become haggard and rocked to the death, Mishka still bring some sweet caps to those of us that aren’t completely absorbed by the Mitchell and Ness hype. There is a selection of fine shirts available too; the tees and sweaters also have some interesting graphics that will, no doubt, turn a few heads and start some conversations. All in all, this isn’t a wondrous drop from these NYC cool-cats; yet, there are some pieces that may be worth scraping some shrapnel together for.

Kevin McPhee – Blue Organ

 

 

With releases on Idle Hands and [nakedlunch] already in 2011, Toronto’s Kevin McPhee returns on Hypercolour’s off shoot HypeLtd. The EP, titled Blue Organ, follows previous releases by house’s newest matriarch Maya Jane Coles and London’s T.Wiliams.

 

Lapped up in sensual female vocals, ‘Your Side’ and ‘I Will’ show McPhee’s tentative side; teary eyed and heart wrenching, the tracks exemplify ability to induce emotion. These tracks for me are the highlight of a much-accomplished EP.

 

‘Hang My Head’ is a less dreamy, more club orientated track, punching along with a low-slung baseline. While ‘Blue Organ’, the title track, reestablishes the equilibrium, with dreamy percussive tones.

 

This is an accomplished EP from McPhee, blanketed in subtle mopey vibes perfect for 5am listening.

 

kevin-mc

Kevin McPhee – Blue Organ EP by Hypercolour

The Roots – Undun

 

The legendary Roots crew are back; and to coincide with their new album they have produced a short film showcasing 4 of the tracks. The album, Undun, is dropping on December 6, and from what we hear it is dope. Undun tells the story of Redford Stephens (1974-1999) through the utilization of a reverse narrative, with Redford attempting to make sense of his former life. As he progresses and the story deconstructs Redford discovers that he in fact led to his own demise. The video was shot and directed by Clifton Bell, whom has worked with everyone, following his four-year study at the University of North Carolina, from Ice Cube to Method Man; Redman to Anthony Hamilton. Anyways, enough of this babble check the video; cop the music.

 

FaltyDL – Atlantis

New Yorker Drew Lustman, aka FaltyDL, is one of my standout electronic artists of 2011. Following releases on All City and, his excellent album “You Stand Uncertain”, on Ramp Records Drew Lustman returns with his latest offering on Mr Scruff’s Ninja Tune print.

Built around moody chords, vocal phrases and ridden with percussive elements, FaltyDL’s trademark sounds are synonymous with the last decade rather than the former; reminiscent early 90’s dance is what we have come to expect; and Atlantis delivers.

 

If you’re looking for a solid pair of kicks with both subtlety and edge – the Nike Pegasus ’92 might be right up your alley.Reissues of classic trainers don’t always go to plan, but the good fellas at Nike seem to have hit the nail on the head with this one. The neutral, earthy tones of this slick shoe are a winning addition to any outfit and at £85 from End, they’re not likely to eat into money better spent on beer and pizza. Check the kicks out below:

After a long and lethargic summer, we are back with our weekly feature of swag.

 

Manatash is an outdoor, mountaineering, brand established in Seattle, USA, in 1994. Following a philosophy of sustainability, Manatash serves a wide range of outdoor attire – from rafting to kayaking.  Their passion for sustainability and protection of the environment sees them using recyclable materials, hemp and other sustainable fabrics. This 4-way jacket is exactly what it says on the tin; with or without hood; as a reversible padded vest; or simply as double-barreled coat, vest and jacket.  Following the rhetoric of their environmental ethos, the jacket is made entirely of sustainable, recycled fabrics.

Born in Turin in 1911, Superga have been producing the 2750 for almost 100 years. Following a simple design, they have consistently produced high quality footwear for the Italian populate. The classic 2750 heritage is a perfect example of the iconic, durable, shoe.

In 1954 Levi’s 501s reached the American East Coast, new territory for the brand, adding a zip-fly to maximize the appeal to the new market. The result, huge sales in their new venture; however, not everyone was pleased. As a compromise, Levis ran the 501 in the zipped and unzipped models, taking the US by storm. The ‘memory rinse’ 1954 XX 501 is a homage to the classic heritage collection, and is sick; but at 200 Great British Pounds, you have to be serious about denim to cop.

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